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The second of the three young musicians who traveled to the conservatory in Leipzig during the second decade of this century was Jon Lorleifsson, bom in 1899. He was the son of a northern farmer who later became post-master general in Reykjavik. Through his piano lessons he had learnt to appreciate Grieg and have his doubts about the greatness of Beethoven’s music. However, he admitted that he had no real understanding “for the long, childish use of triads, although I dared not admit it openly.” At the age of seventeen he obtained permission from parliament to change his surname to Leifs and then set off for Leipzig. His reaction upon meeting the world at large is worthy of quotation: Jon Leifs At the age of seventeen, I got to know a world Jon Leifs (1899 - 1968). that was completely new for me. Everything - Photo: Jon Kaldal from everyday things to highest art - was com- pletely foreign, perhaps even more foreign than a European can experience today upon visiting the East. I saw a tram, a train and many other things for the first time. I often had to keep silent and seem diffident among these central Europeans who almost seemed to belong to an- other race. And it took me several years before I began to understand their everyday behaviour. It never occurred to me to question the Euro- pean civilization’s superiority. (J6n Leifs, Islands kiinstlerische Anregung, Islandia Edition, Reykjavik 1951, p. 19) Jon Leifs came to Leipzig in the autumn and walked along the avenues with the trees shedding their variegated leaves. During the whole of his childhood in Iceland he had never seen anything like it. Equally memorable was the first time I heard an orchestra. It was Liszt’s Faust Symphony. I almost felt that I could throw myself on the ground and cry out in my astonishment. (Jon Leifs, p. 20) 39
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(199) Scale
(200) Color Palette


New music in Iceland

Year
1991
Language
English
Pages
196


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