24 MACMILLAN'S CATALOGUE OF WORKS IN Rogers (James E. Thorold).—HISTORICAL GLEAN- INGS : A Series of Sketches. Montague, Walpole, Adam Smith, Cobbett. By Prof. Rogers. Crown 8vo. 4s. 6d. Second Series. Wiklif, Laud, Wilkes, and Horne Tooke. Crown 8vo. 6s. Professor Rogers's object in these sketches, which arc in the form of Lectures, is to present a set of historical facts, grouped round a principal figure. The author has aimed to state the social facts of the time in which the individual whose history is handled took part in public business. It is from sketches like these of the great men who took a prominent and influential part in the affairs of their time that a clear conception of the social and economical condition of our ancestors can be obtainedL History learned in this way is both instructive and agreeable. “ His Essays," the Pall Mall Gazette says, “ are full of interest, pregnant, thoughtful, and readable." “ They rank far above the average of similar perfor- mances f says the Westminster Review. Raphael.—RAPHAEL OF URBINO AND HIS FATHER GIOVANNI SANTI. By J. D. Passavant, formerly Director of the Museum at Frankfort. With Twenty Permanent Photo- graphs. Royal 8vo. Handsomely bound. 31 s. 6d. To the enlarged French edition of Passavant's Life of Raphael., that painter’s admirers have turned whenever they have sought information, and it will doubtless remain for many years the best book ofreference on all questions pertaining to the great painter. The present work consists of a translation of those parts of Passavant's volumes which are most likely to interest the general reader. Besides a complete life of Raphael, it contains the valuable descriptions of all his known paintings, and the Chronological Index, which is of so much service to amateurs who wish to study the progressive character of his works. The Illustrations by Woodbury's new permanent process of photography, are taken from the finest engravings that coidd be procured, and have been chosen with the intention of giving examples of Raphael's various styles ofpainting. The Saturday Review says of them, “ We have seen not a few elegant speci- mens of Mr. Woodbury's new process, but we have seen none that equal theseI' Somers (Robert).—THE SOUTHERN STATES SINCE THE WAR. By Robert Somers. With Map. 8vo. 9^. I his work is the result of inquiries made by the author of all authorities competent to afford him information, and of his own observation during a

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