HISTORY, BIOGRAPHY, 6- TRAVELS. 3i The author here regards Chatterton as a poet, not as a “ mere resetter and defacer of stolen literary treasures. ” Reviewed in this light, he has found much in the old materials capable of being turned to new account: and to these materials research in various directions has enabled him to make some additions. He believes that the boy-poet has been misjudged, and that the biographies hitherto written of him are not only imperfect but untrue. While dealing tenderly, the author has sought to deal truthfully with the failings as well as the virtues of the boy: bearing always in remembrance, what has been too frequently lost sight of, that he was but a boy ;_a boy, and yet a poet of rare power. The Examiner thinks this “ the most complete and the purest biography of the poet which has yet appeared." The Literary Churchman calls it “a most charming literary biography. ” Yonge (Charlotte M.)—Works by Charlotte M. Yonge, Author of “The Heir of Redclyffe,” &c. &c. A PARALLEL HISTORY OF FRANCE AND ENGLAND : consisting of Outlines and Dates. Oblong 4to. 33-. 6d. This tabular history has been drawn up to supply a want felt by many teachers of some means of making their pupils realize what events in the two countries were contemporary. A skeleton narrative has been constructed of the chief transactions in either country, placing a column between for what affected both alike, by which means it is hoped that young people may be assisted in grasping the mutual relation of events. CAMEOS FROM ENGLISH HISTORY. From Rollo to Edward II. Extra fcap. 8vo. Second Edition, enlarged. 5^. A Second Series, THE WARS IN FRANCE. Extra fcap. 8 vo. $s. The endeavour has not been to chronicle facts, but to put together a seines of pictures of persons and events, so as to arrest the attention, and give some individuality and distinctness to the recollection, by gathering together details of the most memorable moments. The ‘ ‘ Cameos ” are intended as a book for young people just beyond the elementary histories of England, and able to enter in some degree into the real sph'it of events, and to be struck with characters and scenes presented in some relief. ‘ * Instead of dry detailssays the Nonconformist, “we have living pictures, faithful, vivid, and striking. ”

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