Sigursveinn DavIQ Kristinsson include Unglingurinn i skoginum to a text by Laxness and Vort lif, vort lif. . . to the poem by Steinn Steinarr; dedicated “to the memory of an unsuccessful musician”. She has also composed a number of chamber works, including a set of Variations for Cello on a folk melody and a Duo for violin and piano written in 1974. In 1977 Jorunn ViSar composed a remarkable piano concerto, Slatta, for an orchestra consisting only of horn, trombone, xylophone and strings. It is with- drawn at present, however, for further revision. One of the works performed at the music festival in 1957 was the symphonic poem Draumur vetrarrjupunnar (Dream of the Ptarmigan) by Sigursveinn DavIS Kristinsson (1911- 1990). This work has political undertones. It was inspired by a painting by the great Icelandic artist Johannes Kjarval that has been interpreted by the author Laxness as an expression of hope for a better future for the people of Iceland after the very severe winter that threatened their very existence. The work is based on the folk song Verold flaa synir sig (The Falseness of the World Appears). As in other works by Sigursveinn D. Kristinsson, the composition is permeated by modality, in this particular case the Lydian mode, in the spirit of Icelandic folk music. The composer’s point of departure, however, is not romanticism but rather polemics and social realism. Sigursveinn D. Kristinsson had been active as a con- ductor in the musical activities of the Labour Movement. In 1956-57, he studied at the Deutsche Hochshule fur Musik “Hanns Eisler” in East Berlin. In 1957 he founded a school of music in SiglufjorSur on the northern coast of Iceland and opened his own music institute in Reykjavik in 1964. Sigursveinn D. Kristinsson is not a prolific composer. Apart from songs for soloists and choirs, including arrange- ments of folk music, he has written a Suite in the Style of Rimur for violin and piano, two cantatas, one entitled Greniskogurinn (The Fir Tree Wood) and the other dedicated to the international organization of Esperanto, and two orchestral suites. 76

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