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Satirical Poems,
XVIf.
Sometimes indeed, like soldiers off pa-
rade,
They break their ranks and gladly
leave the drill;
But then the roll-call draws them back
afraid,
And they must be or seem what they
were: still
Doubtless it is a brillant masquerade;
But when of the first sight you have
had your fill,
It palls — at least it did so upon me,
This Paradise of Pleasure and Ennui.
XVIII.
When we have made our: love, and
gamed our gaming,
Drest, voted, shone, and may be,
something more;
With dandies dined; heard senators de-
claiming;
Seen beauties brought to market by
the score;
Sad rakes to sadder husbands chastely
taming;
There’s little left but to be bored or
bore.
Witness those ,.ci-decanl jeunes homines"
who stem
The stream, nor leave the world which
leaveth them.
XIX.
’Tis said — indeed a general complaint —
That no one has succeeded in des-
cribing
The Monde, exactly as they ought to
to paint.
Some say, that authors only snatch,
by bribing
The porter, some slight scandals strange
and quaint,
To furnish matter for their moral
gibing;
And that their hooks have but one style
in common —
My lady’s prattle, filter’d through her
woman.
XX.
But this can’t well be true, just now;
for writers
Are grown of the Beau Monde a part
potential:
I've seen them balance even the scale
with fighters,
Especially when young, for that’s
essential.
Why do their sketches fail them as in-
diters
Of what they deem themselves most
consequential —
The real portrait of the highest tribe?
’Tis that, in fact, there’s little to describe.
xvn.
Undertiden, vist nok, lige som Soldaterudcn
for Parade, || Bryde de Linierne og ere glade
veil at forlade Exercisen; || Men saa drager
Monster Rolie Opraabet dem forskraikkede til-
bage || Og de maa vaire eller synes hvad de
vare, ailigevel || Udentvivi er det en brillant
Masquerade; || Men, naar af det fiirstc Syn
du liar faaet nok || Saa overmaitter det — i
det Mindste gjordc det saa ved mig || Dette For-
lystelsens og Kjaidsomhedens Paradiis.
XVIII.
Naar vi have havt vore Elskovsliandeler og
spillet vore Hazardspil, || Have klaedt os paa,
voteret, skinnet, og, kanskee noget mere; ||
Spist til Middag mod Dandier; hdrt Senatorer
declamere ; || Seet Skjdnheder brngte til Torvs
i Sneeseviis, || Som kydskt tamime slcmme
Udhalere til slettere £gtemeend; || Saa er der
lidet Movers uden at plages eller plage*) ||
Dette viser sigpaa de ,,ci-devant jeunes hom-
ines" som kjiempe || Med Strommen, og ei
forlade Verden som forlader dem.
XIX.
Man siger — det er i Sandhcd en alminde-
lig Klage — || At det ikke er lykkedes nogen
at beskrive || Monde (Modeverdenen) ndjag-
tigt som den burde males; || Nogle sige, at
Forfatternc kun rapse til sig ved at bestikke ||
Portneren, nogle ubetydelige besynderlige og
pudseerlige Scandaler, || For at skaffe til veje
Material for deres moralske Dadel (Spot); ||
Og at deres Boger have kun een (Art af) Stiil
tilfailles — || Mylady’s Smaasnak, flltreret
gjennem hendes Pige.
XX.
Men dette kan ei vel vaire sandt, just nu ;
thi Skribenter || Ere blevne af den line Ver-
den en imeglig Deel; || Jeg har seet dem ba-
lance™ Viegtskaalen lige med Nievefaigtere **) ||
Isair medens de vare nnge, thi dette er vai-
sentligt || Hvorfor mislykkes deres Skitser
(naar de optrffide) som Forfattere || Over det
som de selv ansce for det allervigligste, || Dot
virkelige Portrait af den hdjeste Slamme? ||
Sagcn er, i Sandhed, der er lidet at beskrive.
*) Eller, hjemsoges af Plage-aander eller
selv vaire Plageaand. Dette refererer sig dog
isair til Visiter. Bore er et Salons-Udtryk,
som kom i Mode onitrent i Byrons sidslc Aar
i England, 1815 & 16. Det bruges om en kja?-
delig , ubehagelig Person eller Ting; dog isa*r
en ukjair Besdger. Tjeneren melder f. Ex.
,,Lady Caroline S. is in the drawingroom, My
lady. —,,Oh, say lam out, she is such a bore!"
**) D. e. vaire ligesaa anseete som Naive-
faigterne. Mr. Jackson en beriimt Boxer var
vel seet i de forste Cirkler i London. Han
var saa at sige daglig Gj»st hos Hertugen af
Wellington ; ogsaa hos Georg IV.
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